This first monograph on the influential underground conceptual and sound artist features essays by Mike Kelley, Paul McCarthy, Cosey Fanni Tutti and others. It spans from Duncan's early days making performance-based work in Los Angeles in the late 1970s to his years in Japan and Amsterdam, where he focused on experimental sound, film and radio work, and continues to the mature multimedia installations and performances he is currently making in Italy. Investigative and probing, Duncan's work has.
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